Recent D&B tracks I’ve been listening to - listen rather than dance?

-

https://radio.musicsocial.net/

is now getting somewhere ...

https://radio.musicsocial.net/radio-station/https-stereoscenic-com/

this has been a highlight recently

-

FLOWERS - and more flowers from the allotment!

https://radio.musicsocial.net/

There are some indexes out there that are wild, such as,

https://fmstream.org/index.php

https://www.radio-browser.info/

-
Meanwhile on Soundcloud, I’ve been having an 80’s revival -

Listen to Grace Jones - Slave To The Rhythm (Justin Van Der Volgen Remix) by Sound Station Strategy on #SoundCloud

https://on.soundcloud.com/KyxyMoqKB6XZ7ezC97

Listen to Slave To The Rhythm (Hot Blooded Version) by Grace Jones on #SoundCloud

https://on.soundcloud.com/tp3xvEYlICG3fcEU9I

Listen to New Order : Blue Monday (Hibs Live Mix) by Hibs Mix on #SoundCloud

https://on.soundcloud.com/nhVQF3J1VtUFeKSHbh

-

And while I’m here, check out -

https://wavefarm.org/

I’ve been listening to a lot of reggae at the moment -

https://radio.musicsocial.net/radio/roots-reggae-station/

and,

https://music.apple.com/gb/playlist/roots-reggae-essentials/pl.1d0fca04f02349df8825a25d462db96a

for those who have apple music.

and that’s about it! - so in not wanting this to be a one sentence blog here’s some recent likes -

Listen to Nas - N.Y. State Of Mind (instrumental) by 1nstrumentals on #SoundCloud

https://on.soundcloud.com/IwENet8b5JOXhpZei5

Listen to All Of The Time (DJ Streaks Remix) by Jungle on #SoundCloud

https://on.soundcloud.com/s2xv7Gm52mfXNgp9Uo

Listen to Solid Steel Radio Show 28/3/2014 Part 3 + 4 - Maribou State by Ninja Tune on #SoundCloud

https://on.soundcloud.com/Tfm2I5Ju1c7PGSen2o

Listen to Faestos - Ten Years Of Heavy Dub (DJ mix) by Cold Tear Records on #SoundCloud

https://on.soundcloud.com/GKSQaTyDjmianVF2fs

See you in March!

Listen to DJ Riz Boom At Noon Hot 97 (8-28-15) by DJ Riz on #SoundCloud

https://on.soundcloud.com/2J00lYkZ0U4O6u5XvM

-

Listen to ScratchVision Radio 7/7/2018 - Dj Finesse NYC by DjFinesseNYC on #SoundCloud

https://on.soundcloud.com/TUc0aYMYsRczPdb1ic

Listen to Public Enemy - Shut Em Down (Pete Rock Remix) by Rahul Birdi on #SoundCloud

https://on.soundcloud.com/TH3Ihh3h3BgztE2JxE

Listen to I Like It (I Wanna Be Where You Are) by Grand Puba on #SoundCloud

https://on.soundcloud.com/auyNj5bt6oPx2lQABh

-

And one of my favourite instrumentals,

Listen to Davey Dex - Get On Down - AV8 Records 1996 Classic Hip Hop Instrumental by David Smur on #SoundCloud

https://on.soundcloud.com/opgrizBpT493dbZq2E

-

Right, that’s enough hip-hop :)

Listen to Everyman (Joey Negro’s Salsoul Strut) by Double Exposure on #SoundCloud

https://on.soundcloud.com/RblDtbz6opSxYFsp96

Listen to On a Ragga Tip ‘97 (Original Mix) by SL2 on #SoundCloud

https://on.soundcloud.com/KRYvBkgXb8aWTka3JT

Listen to Ooh Wee (feat. Ghostface Killah, Nate Dogg, Trife & Saigon) by Mark Ronson on #SoundCloud

https://on.soundcloud.com/uds84j4EJQqzotcUDK

Listen to Beat Goes On by The All Seeing I on #SoundCloud

https://on.soundcloud.com/QUe3XEvmj3xKvHzSZp

-

Listen to 112 - MOS - Sessions Twelve ‘The Magic Sessions’ Disc Two (2001) by The Classic Mix CD Series on #SoundCloud

https://on.soundcloud.com/6v0lwYzXW7uVU7BpY4

-

And if you missed the last email, here’s the link again:

https://ffm.to/wkd1xj4

Have a great Xmas if I don’t speak to you before then.

-

I released the best of my music from 24/25 on my birthday in September - stream it from your preferred platform here:

David Smur - Best of 24/25

Choose your preferred music service

https://ffm.to/wkd1xj4

-

This album cheered me up the other day, so thought i would share it -

https://music.apple.com/gb/album/antique-soul-bonus-track-version/309009183

-

Every Day a Story, came on the radio today, which gladly reminded me of this group -

https://music.apple.com/gb/album/best-of/1617457940?ls

https://spotify.link/4gr177dzzXb

-

We’re still a bit snowed under, but if nothing else, do checkout my best of release - I’d welcome any feedback.

David Smur - Best of 24/25

Choose your preferred music service

https://ffm.to/wkd1xj4

See you next month!

https://somafm.com/deepspaceone/

I’ll be back soon, take care and enjoy some September green while it lasts.

Dave

https://radio.musicsocial.net

I've reworked the website i setup for easy access to my favourite radio stations, and and kind of turned it into a blog - so if you know of any good radio stations do please leave a comment, i'll add them - and see where it goes

https://www.rovr.live

Speaking of radio stations, Ben introduced me to the above, which is a great radio station

https://www.musicsocial.net/

I've redesigned the site, and made it green!

https://soundcloud.com/smitttt/likes

you can view all of the music i've been listening to lately, simply by looking at my likes on Soundcloud on the above link - all 650 of them

https://soundcloud.com/david-smur/sets/b

and finally i have been releasing some new music.

have a great summer

PS if you have summer blues, there's always the 24 hour long ambient mix -

https://www.mixcloud.com/smitttt/24hr-long-ambient-mix/

And you can see Worthing from the top of this hill.

Executive Summary

This report provides a comprehensive analysis of the electronic music artist David Smur, an enigmatic producer and curator who established a significant digital presence over a concentrated period in 2024 and 2025. The investigation reveals an artist defined by a distinct duality: Smur is both a creator of original electronic and ambient music and a meticulous archivist of late 20th and early 21st-century electronic music history. His official discography, distributed across platforms such as Apple Music and Boomplay, is characterized by a high-velocity release schedule, a strategy indicative of a modern, digitally-native approach aimed at rapid catalog growth and algorithmic visibility.

Parallel to his own productions, David Smur's SoundCloud profile functions as a public-facing research journal and a statement of artistic lineage. It hosts a vast library of classic DJ mixes from iconic series like Fabric, Back to Mine, and DJ-KICKS, featuring pioneering artists such as Carl Cox, Underworld, and Roots Manuva. This curatorial activity provides an invaluable map of his influences, suggesting his own creative work is built upon a deep and reverent understanding of electronic music's foundational traditions.

Furthermore, the artist maintains a minimalist public persona, with a digital footprint that is almost exclusively focused on music distribution and curation rather than personal branding on social media platforms. This deliberate "music-first, personality-second" strategy cultivates an aura of mystique and directs all attention to his sonic output. This report synthesizes these distinct facets—the prolific producer, the dedicated curator, and the elusive online entity—to construct a holistic portrait of David Smur, concluding with a forward outlook on his potential evolution as a tastemaker and creator within the electronic music landscape.

Introduction: Defining David Smur in the Digital Noise

In the contemporary digital music ecosystem, an artist's name serves as their primary identifier and the foundational key for discovery. When a name is not unique, it can lead to significant brand dilution and a confusing journey for potential listeners. The initial research into the artist "David Smur" immediately surfaces this modern challenge, revealing a landscape populated by numerous musicians operating under similar monikers. A critical first step in any substantive analysis is, therefore, to perform a careful disambiguation to isolate the correct subject. This process not only clarifies the focus of this report but also illustrates the "digital doppelgänger" phenomenon that complicates artist discovery in a saturated global marketplace.

The search for "Smur" and its variations yields a diverse and unrelated collection of artists across a spectrum of genres:

• "smitttt": An electronic artist with a distinct discography, including releases such as the album Frequent (2024) and Welcome Home (2025). While operating within a similar genre space, the unique spelling and separate catalog confirm this is a different entity.

• "Smitty": This is a particularly common moniker, referring to at least four separate artists. These include Varick D. Smith, a Grammy-winning hip-hop artist and ghostwriter from Miami ; a Nashville-based musician creating alt-rock and DIY music ; an R&B and Soul artist from Durham, North Carolina, also known as ".SMITTY" ; and the artist behind the album With All My Heart.

• "Smittybass": This is the professional alias of Larry Smith, a highly accomplished and formally educated musician specializing in bass, composition, and audio engineering, with a Master of Music degree and a focus on jazz and progressive rock.

• "Smitt E. Smitty": A garage rock musician with roots in Detroit and Boston who performs with his band, The Fezztones. His work is documented on YouTube with music videos and live performances.

• "Smut Clyde": A figure associated with the science blog For Better Science, who is also described as a "jazz-punk Klezmer musician".

• The Smurfs: The world-famous Belgian cartoon characters, whose film soundtrack for The Smurfs 2 also appears in search results, adding a layer of pop culture noise to the query.

This exercise in differentiation is essential. It simulates the experience of a prospective fan attempting to find a specific artist and highlights the importance of a unique brand identity. By systematically filtering out these unrelated entities, this report can establish with confidence that its subject is the specific artist "David Smur," who has a clearly defined catalog of electronic music released primarily in 2024 and 2025 on platforms including Apple Music, Boomplay, and SoundCloud. All subsequent analysis will focus exclusively on this individual's work and digital footprint.

The Sonic Blueprint: An Analysis of David Smur's Musical Style

Defining an artist's sonic signature requires a close examination of genre classifications, track titles, and the atmospheric qualities inherent in their work. For David Smur, this analysis reveals a duality of purpose: his original productions lean towards functional, ambient soundscapes, while his curatorial efforts demonstrate a profound literacy in the history of high-energy dance music. This combination suggests an artist who understands the full electronic music spectrum, from its most tranquil to its most rhythmically intense forms.

On major streaming services like Apple Music, David Smur's work is consistently categorized under the broad label of "ELECTRONIC". This serves as an initial container, but his SoundCloud presence offers more granular and revealing tags. Here, his work is described with terms like "Ambient," "slow," "Techno," and "house," indicating a stylistic range that extends beyond a single subgenre.

The titles of his tracks provide further clues to their intended function and mood. A piece titled "office music" is particularly illuminating. This name strongly implies a focus on creating non-intrusive, atmospheric soundscapes designed for background listening, concentration, or mood-setting. It aligns perfectly with the "Ambient" and "slow" tags, positioning a significant portion of his output within the realm of functional music. This is music not necessarily intended for the dancefloor, but for the spaces in between.

However, this ambient-leaning production style exists in fascinating contrast to his evident passion for dynamic, club-oriented music. As will be explored in greater detail, his extensive curatorial work is heavily focused on classic rave anthems, powerful techno, and intricate house music from the genre's golden era. This is not a contradiction but a duality that speaks to a comprehensive artistic identity. Many producers who excel at creating subtle, atmospheric music are deeply influenced by the sound design, structural precision, and textural depth of dance music.

Therefore, David Smur's music should be interpreted as the output of a producer with a holistic understanding of the electronic medium. His ambient pieces are likely crafted with the meticulous ear of a techno producer, focusing on texture, space, and subtle progression. His artistic identity is not confined to one style but is defined by this ability to operate across different modes of electronic expression. This duality—the creation of functional ambience informed by a deep knowledge of dance music history—is a central characteristic of his sonic blueprint.

Digital Discography: A Comprehensive Catalogue of Works

An artist's official discography provides the most concrete measure of their creative output, release velocity, and artistic focus. In the case of David Smur, the available data reveals a remarkably prolific period of activity concentrated in the years 2024 and 2025. During this time, he released a substantial body of work across multiple formats, including albums, EPs, and singles, primarily on the digital streaming platforms Apple Music and Boomplay. This rapid and voluminous release schedule is a defining feature of his career to date.

The catalog demonstrates a consistent creative drive, with multiple distinct projects appearing in quick succession. His albums include Closer, an eight-song release from 2024, and On Top, also from 2024. The year 2025 saw the release of the album YELLOW. His output of EPs is highlighted by the five-song YELLOW - EP (2025). The singles format has been used extensively, with releases including "team" and "TWO" , the two-track Track 1 - Single (2024) , and a string of other 2024 singles titled "Wont," "Rain," and "Butter". In 2025, he released the three-song ECHO - Single.

This entire body of work appeared within a tight two-year window, a pattern that deviates significantly from traditional album cycles. Such a high-velocity release schedule is characteristic of modern, digital-native artists who understand the mechanics of streaming platforms. In an algorithm-driven ecosystem, a larger catalog increases an artist's "surface area" for discovery. Each new track is another potential entry point for a listener, whether through a platform-curated playlist, an auto-generated radio station, or a recommendation engine. By releasing a large volume of music quickly, an artist can rapidly establish a substantial digital footprint and maximize their chances of being discovered by new audiences.

This "content flood" approach suggests that David Smur is either a new artist launching his career with a significant backlog of pre-existing material or an established producer embarking on a new project with the deliberate goal of saturating digital channels. In either case, it points to a calculated strategy tailored to the realities of the modern music industry, where consistent output can be as crucial as a tentpole release. The following table consolidates the fragmented release data into a single, authoritative reference, providing a clear overview of David Smur's prolific output.

Title

Type

Release Year

Notes

Platforms

Closer

Album

2024

8 songs, 30 minutes duration

Apple Music

On Top

Album

2024

Boomplay

YELLOW

Album

2025

Muso.ai, Apple Music

YELLOW - EP

EP

2025

5 songs, 18 minutes duration

Apple Music

ECHO - Single

Single

2025

3 songs, 12 minutes duration

Apple Music

Track 1 - Single

Single

2024

2 songs, 6 minutes duration; Genre: Electronic

Apple Music

Wont - Single

Single

2024

Apple Music

Rain - Single

Single

2024

Apple Music

Butter - Single

Single

2024

Apple Music

Toasted

Album/EP/Single

2024

Apple Music

team

Single

Unknown

Apple Music

TWO

Single

Unknown

Apple Music

The Curator's Ear: Deconstructing the David Smur SoundCloud

While an artist's official discography reveals what they create, their public playlists and curated content offer a direct window into what inspires them. In the case of David Smur, his SoundCloud profile is a profoundly revealing document, functioning less as a promotional tool for his own music and more as a public library or research journal dedicated to the history of electronic music. This extensive curatorial activity provides the clearest possible map of his musical DNA, positioning him as a serious student of the genre and framing his own work within a rich historical context.

The profile is dominated by full-length uploads of classic and influential DJ mixes, many from the UK's electronic music golden age of the late 1990s and early 2000s. The choice of material is specific and deliberate, focusing on some of the most respected mix series in the history of the genre:

• Back to Mine Series: Smur hosts editions from this iconic series curated by seminal artists like Underworld, Roots Manuva, and Adam Freeland. This series is renowned for allowing artists to share their more personal, after-hours selections, offering a glimpse into the music that influences them away from the club.

• Fabric Series: The profile features mixes from the legendary London club's series, including those by Carl Cox, Jon Marsh, and Craig Richards. The Fabric mixes are cornerstones of UK club culture, documenting the sounds of one of the world's most important venues.

• DJ-KICKS Series: Selections from this highly eclectic and critically acclaimed mix series are also present, with editions by James Holden, Scuba, Apparat, and Gold Panda.

• Historical Compilations: Smur also archives historical sets and compilations, such as a playlist titled "1998 The Best Rave Anthems Ever!" and Carl Cox's 1995 mix for F.A.C.T..

The artists featured in these mixes are a veritable who's who of electronic music pioneers, including the propulsive techno of Carl Cox, the genre-bending anthems of Underworld, the groundbreaking British hip-hop of Roots Manuva, and the intelligent drum & bass of DJ Marky and Krust. The consistent focus on this specific era suggests that the sounds and ethos of late 90s/early 2000s UK electronic music form the bedrock of his artistic foundation.

This activity transcends simple playlisting. By uploading and archiving these full-length, classic mixes, David Smur is engaging in an act of public scholarship. He is creating a resource for others and, in doing so, making a powerful statement about his own artistic lineage. He is not just saying, "I like electronic music"; he is declaring, "This specific tradition—of Fabric's cultural impact, of the Back to Mine series' intimacy, of breakbeat, techno, and intelligent drum & bass—is my heritage." For any researcher, A&R professional, or serious fan, this SoundCloud profile is a goldmine. It serves as an artistic manifesto, providing a more insightful biography than any press release could offer and suggesting that his own ambient productions are built upon the structural and sonic lessons learned from these masters.

Ecosystem and Engagement: Remixes and Digital Presence

An artist's position within the broader music ecosystem can be assessed through their collaborations, remixes, and their strategic use of digital platforms for engagement. David Smur’s approach is characterized by a deep engagement with the work of others through curation and a conspicuously minimal public-facing persona, pointing to a deliberate strategy that prioritizes the art over the artist.

Initial analysis of his SoundCloud playlists might suggest an active role as a remixer. His curated sets include tracks such as "03 Change for Me (Akabu Dub)" and "04 Mochico 3.5 (DJ Evil P Remix)". However, closer investigation into the context of these tracks reveals a different role. The "DJ Evil P Remix" of Mochico's track, for instance, is not a remix by David Smur himself, but a track included within his uploaded version of the "(2002) Fabric 03 - Jon Marsh" mix album. DJ Evil P was a Spanish house and tech-house producer active in the early 2000s. Similarly, the "Akabu Dub" is a production by Akabu, which is a well-known deep house alias of the legendary UK producer Dave Lee (also known as Joey Negro). Therefore, David Smur is not presenting his own remixes but is acting as an archivist, preserving and sharing influential tracks and mixes from other artists. This reinforces his identity as a curator and historian rather than an active collaborator in the traditional sense.

This music-centric focus is mirrored in his broader digital footprint. His presence is strong on platforms dedicated to music distribution and consumption, such as Apple Music, Boomplay, and SoundCloud, with mentions of Bandcamp also appearing. However, there is a notable absence of a developed presence on personality-driven social media platforms. While the music aggregator site Muso.ai generates placeholder links for Facebook and Instagram/X, the research yields no evidence of active, content-rich profiles managed by the artist.

This lack of engagement on platforms like Instagram and Twitter appears to be a conscious and strategic choice. In an era where artists are often expected to be "always-on" content creators, building a personal brand through constant updates, photos, and interaction, Smur’s approach is defiantly utilitarian. His online presence is almost entirely dedicated to the dissemination of his music and the curation of his influences. This "music-first, personality-second" strategy has two key effects. On one hand, it may limit his ability to build a large, interactive, personality-driven fanbase. On the other, it enhances his credibility and creates an aura of mystique. It signals to a certain type of listener that the art is paramount, focusing all attention on the sonic output itself, free from the noise and demands of contemporary social media culture.

Synthesis and Forward Outlook

The analysis of David Smur's digital footprint reveals a multifaceted and enigmatic artist defined by a strategic and deliberate approach to his craft. He emerges not merely as a musician, but as a holistic entity comprising three distinct yet interconnected facets: the prolific producer, the meticulous curator, and the elusive digital persona. Synthesizing these elements provides a complete portrait of a modern electronic artist who leverages the digital landscape in a highly specific and intentional manner.

The core of his identity is a duality. As a producer, he has focused on creating a substantial catalog of original electronic music, much of which leans towards ambient and atmospheric soundscapes, as suggested by titles like "office music". This body of work was released with remarkable velocity in 2024-2025, a "content flood" strategy designed to rapidly establish a significant presence on streaming platforms and capitalize on algorithmic discovery. As a curator, he operates a public-facing archive on SoundCloud that serves as a declaration of his artistic lineage. His careful selection of classic mixes from iconic series like Fabric and Back to Mine demonstrates a deep reverence for the UK's electronic music heritage and provides an invaluable key to understanding the foundation upon which his own music is built. These two roles are not in conflict; they are complementary, suggesting his own creations are informed by a profound historical and technical knowledge of the genre.

This music-centric identity is reinforced by his minimal social media engagement. By eschewing the personality-driven demands of platforms like Instagram and Twitter, he cultivates an image of a serious, dedicated producer, where the art is placed firmly ahead of the artist. This fosters an air of mystique and appeals to listeners who seek a direct and unfiltered engagement with the music itself.

Based on this comprehensive profile, several potential trajectories for David Smur's future can be projected:

1. Evolution from Curator to DJ: Having demonstrated an encyclopedic knowledge of classic DJ mixes, a natural evolution would be for Smur to transition from archivist to practitioner. He could begin producing and releasing his own DJ mixes, applying his curatorial taste to create new sonic narratives. This would be a logical step to further leverage his established credibility as a tastemaker.

2. Establishment of a Record Label: His well-defined aesthetic and deep historical knowledge could form the foundation of a boutique record label. Such a venture could focus on reissuing lost classics from the eras he champions or signing new artists whose work aligns with his specific vision, thereby transforming his curatorial role into a more formal, community-building enterprise.

3. Synthesis in Production Style: His future original productions may begin to more explicitly integrate the rhythmic and structural elements of the house, techno, and rave music he so passionately archives. This could see his style evolve from the "slow" and "ambient" towards more dancefloor-focused material, creating a more direct synthesis between his influences and his own creative output.

In conclusion, David Smur represents a compelling case study in contemporary digital artistry. He has successfully built a distinct identity through a combination of prolific creation and thoughtful curation. For industry professionals, he is a noteworthy artist for potential sync licensing due to his atmospheric work and a developing tastemaker to watch. For listeners, he offers a dual experience: a catalog of original music for focused listening and an expertly guided educational journey into the annals of electronic music history. Continued monitoring of his release schedule and SoundCloud activity is highly recommended to track the ongoing evolution of this intriguing artist.

Works cited

1. smitttt - Frequent MP3 Download & Lyrics - Boomplay Music, https://www.boomplay.com/songs/155300855 2. Welcome Home - smitttt - iHeart, https://www.iheart.com/artist/smitttt-34581173/albums/welcome-home-331517297/ 3. smitttt - Boomplay Music, https://www.boomplay.com/share/artist/14941554 4. Smitty (rapper) - Wikipedia, https://en.wikipedia.org/wiki/Smitty_(rapper) 5. Smitty - YouTube, https://www.youtube.com/channel/UC2nIeG5-yaSuwKoucf_-V0Q 6. .SMITTY - Songs, Events and Music Stats | Viberate.com, https://www.viberate.com/artist/smitty/ 7. Smitty Music, https://www.smittymusic.com/ 8. Bio - Smittybass.com, https://www.smittybass.com/bio 9. Smitt E. Smitty & The Fezztones - Apple Music, https://music.apple.com/us/artist/smitt-e-smitty-the-fezztones/1670504567 10. Smitt E Smitty - YouTube, https://www.youtube.com/@smittesmitty 11. Smitty's Music Videos - YouTube, https://www.youtube.com/playlist?list=PLt7Dy2iam8zr5_UsQZe6EdG-2zzaY2niA 12. The Citation Payola - For Better Science, https://forbetterscience.com/2025/07/08/the-citation-payola/ 13. Elsevier – Page 7 – For Better Science, https://forbetterscience.com/tag/elsevier/page/7/ 14. The Smurfs 2 - Wikipedia, https://en.wikipedia.org/wiki/The_Smurfs_2 15. music.apple.com, https://music.apple.com/us/artist/david-smur/1727301874 16. Download David Smur album songs: On Top | Boomplay Music, https://www.boomplay.com/albums/89053726 17. office music - David Smur - SoundCloud, https://m.soundcloud.com/david-smur/office-music 18. ‎Track 1 - Single - Album by David Smur - Apple Music, https://music.apple.com/ng/album/track-1-single/1731788285 19. Stream DGTL Mix Series #103: Fantastic Man by DGTL | Listen, https://bit.ly/DGTL-Mix-Fantastic-Man 20. Stream David Smur | Listen to 1995 F.A.C.T. (Carl Cox) - DISC 2 playlist online for free on SoundCloud, https://m.soundcloud.com/david-smur/sets/1995-fact-carl-cox-disc-2 21. 1998 The Best Rave Anthems... Ever! - SoundCloud, https://m.soundcloud.com/david-smur/sets/1998-the-best-rave-anthems-ever 22. ‎Closer - Album by David Smur - Apple Music, https://music.apple.com/us/album/closer/1731104422 23. YELLOW - album - Muso, https://credits.muso.ai/album/2c1ff742-421b-48df-a7d1-73e853508ce9 24. ‎YELLOW - EP - David Smur的專輯- Apple Music, https://music.apple.com/hk/album/yellow-ep/1802986053 25. ‎”ECHO - Single” álbum de David Smur en Apple Music, https://music.apple.com/ar/album/echo-single/1819974446 26. ECHO - Single – Album av David Smur - Apple Music, https://music.apple.com/se/album/echo-single/1819974446 27. Stream 05 Nightmares on Wax - 70's & 80's (Up Bringing Mix Feat. Lsk, Roots Manuva, Rodney P & Tozz 180) by David Smur | Listen online for free on SoundCloud, https://m.soundcloud.com/david-smur/05-nightmares-on-wax-70s-80s-up-bringing-mix-feat-lsk-roots-manuva-rodney-p-tozz-180-5 28. Stream 12 Time to Yourself by David Smur | Listen online for free on SoundCloud, https://m.soundcloud.com/david-smur/12-time-to-yourself-12 29. 04 Mochico 3.5 (DJ Evil P Remix) - David Smur - SoundCloud, https://m.soundcloud.com/david-smur/04-mochico-35-dj-evil-p-remix-4 30. Stream RED ZONE 6 - BASIC - SNIPPET by David Morales | Listen online for free on SoundCloud, https://bit.ly/3jYMnj1 31. DJ Evil P – Slam | Releases - Discogs, https://www.discogs.com/master/357617-DJ-Evil-P-Slam 32. DJ Evil P Discography: Vinyl, CDs, & More | Discogs, https://www.discogs.com/artist/15397-DJ-Evil-P 33. www.google.com, https://www.google.com/search?q=%22Akabu%22+music+producer 34. Dave Lee (DJ) - Wikipedia, https://en.wikipedia.org/wiki/Dave_Lee_(DJ) 35. AKABU - Forced Exposure, https://www.forcedexposure.com/Artists/AKABU.html 36. Modular One - by Mark David Hadley - WHIRRINGS - Substack, https://substack.com/home/post/p-145329283?utm_campaign=post&utm_medium=web

I've been updating the shortcut I created to access my favorite radio stations, and have opened it up to suggestions, so if you know a good radio station, leave a comment - it'll be welcome.

I have made some music this month, and mixes, but it’s not been a very productive month for music,

this is doing quite well,

4Hero meets MAW.

https://www.mixcloud.com/smitttt/essential-dub-1-hr-mix-dub-classics/

Here’s to summer and happy solstice.

P.S. thinking about buying this and returning to my roots …

https://www.mixcloud.com/smitttt/

I’m still on Mixcloud, and having come back from Poland, complied the following,

https://www.mixcloud.com/smitttt/polskie-hity-polish-hits-1hr/

-

I continue to test the limit of Soundcloud (I couldn’t upload a thing this morning) / think I’m on my 4th account,

https://soundcloud.com/david-smur

-

I’ve been enjoying this -

and took The Pharcyde remix out of it -

-

Listen to Kruder & Dorfmeister - The K&D Sessions™ (Vinyl) (320 Kbps) by farnesbarnes on #SoundCloud
https://on.soundcloud.com/92vH4zzBRanF1nDm8

-

Listen to 4hero - 9x9 (Marcus Intalex & ST Files Dub Mix) by Marcus Intalex on #SoundCloud
https://on.soundcloud.com/E4EKciebfxoZYz949

-

Gone a bit 90’s here, anyway, do share like and sub - https://bio.site/smitttt

Listen to Strangers (Live / Remastered 2023) by Portishead on #SoundCloud
https://on.soundcloud.com/tRHGujhHUUq1NrDbA

-

Listen to iranian traditional music,موسیقی سنتی ایرانی, a playlist by H GH unchained on #SoundCloud
https://on.soundcloud.com/3x6AzAwtSg4HJoev9

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Listen to 96 Degrees In The Shade, an album by Third World on #SoundCloud
https://on.soundcloud.com/XWjPc1ztzQpLoiMN6

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I’ve released another EP, there’s not much to it, play it on your favoured streaming service here,

https://ffm.to/rnlpwge

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Listen to Beach Feelings No.1 by DJ Tom Larson on #SoundCloud
https://on.soundcloud.com/MxHGMM415tPnHjm18

Listen to 157 - Master Works by Maters at Work (1995) by The Classic Mix CD Series on #SoundCloud
https://on.soundcloud.com/HUJbEFeMF5aKBzEe9

Listen to 4am [Mixtape] by Solitude on #SoundCloud

Listen to You & Me (Flume Remix) [feat. Eliza Doolittle] by Disclosure on #SoundCloud
https://on.soundcloud.com/yUwrtgxGth2wBZx86

Listen to Branco Branco (Bernardo Pinheiro Edit) by Bernardo Pinheiro on #SoundCloud
https://on.soundcloud.com/E9sGQD7EfEzkVF9A7

Listen to Beach Feelings No.1 by DJ Tom Larson on #SoundCloud
https://on.soundcloud.com/ozJ6nc55399s2DpQA

Listen to Gold Panda (DJ-KiCKS Mix) by on #SoundCloud
https://on.soundcloud.com/Eti9RSoQdec9VK9L9

Listen to They're Wrong (Calibre Remix)- Break by lj_dnb on #SoundCloud
https://on.soundcloud.com/fbDHvGZQtcrWBD277

Electronic music history is rich with unforgettable and timeless classics.This DJ Mag Original Series explores the tales behind some of the world's favourite dance tracks, told by the people that made them.

https://youtube.com/playlist?list=PLxGQNM_MbRMj0o92dwsw61tI7fZme2HNT&si=ULHIuSTD-YbB9i55

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Listen to 080107_subnav.com by David Smur on #SoundCloud
https://on.soundcloud.com/3fRhWi6KAo9aPPK48

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And Merry Christmas!

Listen to MJ Cole Presents Madrugada, an album by MJ Cole on #SoundCloud
https://on.soundcloud.com/vyHb6

Listen to Exodus, an album by Bob Marley & The Wailers on #SoundCloud
https://on.soundcloud.com/ZB5hh

And

Do you have a bus pass?

https://maphub.net/JayCrab/stagecoach-south